Max for Live
This is not a love letter addressed to a guy named Max. Nope, on here you'll find out how I use Max 4 live in my setup.
For now, here is a description of one of my devices:
MIdi Fighter Twister - Bank Changer.
Here is some useful information on Max 4 Live:
Devices & Forum
Home of Max DSP:
https://cycling74.com/
ClyphX Pro - macros
In this post, my intention is to explain macros: What are they? Why they are useful? You will quickly understand their use with the provided examples.
Version History
V6.6
Porting to mac mini and setting up Ableton 11 and ClyphxPro 1.3 alpha
V6.7
new startup file with dedicated start scene
V6.9
- new trigger rack for recording quantized & unquantized. added arm plaz etc for each %LOOPTR[x]% variable
- M4L device to change banks on Midi Fighter Twister
V6.91
- matrix copy func - Monitor to send
- mic matrix as a intermediate solution (I switch to 2D arrays at some point)
V7.0
- everything ready for studio session
- resolved a bug with a ; in \(b1-4\) macros of FCB1010 rec_clip-naming
- finalised Cubase check-up & leveling
V7.1
#knownissues: OSC on iPad not working
- added Hindsight (retrospective loopoer)
- first tries with Augustus looper & Cylcling Synth (expert sleepers)
- turnado for beat track
V7.2
- MidiFighterTwister Banks
- switched to record inside ableton (no Monitor. no cpu stress)
V7.3
- added Input-monitored-toFX
- some changes in Expression matrix
- added TotalMix Snapshot recall
- M4L MidiFighterTwister BankChange DEV - reworked
- switched to some external effect inserts (Filter, ottobit)
V7.31
- small changes FCB1010
- re-organized group tracks
V7.4
- ported to mobile work (laptop)
- introduced %var-rec1% and %var-rec2% for flexible scripted recording
- matrix save & recall started
- added cmd:tracks&racks:
- Special Quant commands
- START STOP Rack
- MIXER & matrix cmd Rack
V7.5
- work of mobetterblues into new startfile
V7.6
further away:
- Matrix snap & recall!
- 2d array!
- mit ProgrammChange & Presetnotes (3D array in Datei?)
- rows: Pedal ID, Preset stored (TRUE/FALSE), PC#, Notes?
- touch OSC mkII
- M4L Sends -> OSC
- rearrange LP X:
- targets sends -> LPmini
- Arm button
- 4 Audio Beat Loops
- Mixersnapshots recall (Totalmix Buttons)
go to the Master Research Overview
Introduction and Methodology
INTRODUCTION
Looping has been around for quite some time and nowadays the internet is crowded with musicians recording themselves and building layers upon layers. In my diploma graduation concert in 2004, one part of the exam was to play a piece alone. I decided to do a looping performance, which I enjoyed very much. Ever since, I have been wanting to explore the realm in which sound and light are triggered by my performance on double bass and interacting with technical gear.
I’ve been fond of technology ever since playing and studying music. In this project, looping technology (recording myself, playback and stacking multiple layers) is a key technique. In addition to this, I’m using (guitar) effect pedals to manipulate the sound of the instrument. But I want to go a step further and combine this with a visual element, which is informed by my setup. My concept is, that a visual projection is not fully programmed in advance, instead it “reacts and follows” my performance via algorithms within predefined parameters. Hence it will be possible to use any existing gear in concert venues.
Research questions
“How can effects, sound manipulation, looping and visual elements contribute to a strong double bass solo performance and what elements of the outcome can be integrated in free contexts and in possible collaborations?”
I’ll explore this question in four different subtopics:
- Looping technology and techniques
- Double bass’s natural sound-exploration and the use of external effects
- algorithm generated visual projection
- applying those techniques in a freely improvised setting
METHODOLOGY
I approached this research with an action driven methodology.
I designed my desired outcomes and tried to find ways to realise them. I ran into various dead ends and began all over.
In hindsight there were two stages alternating:
- Developing(research), programming and testing
- making music with it, testing, reflecting and gathering ideas.
Repeat.
go to the Master Research Overview
The Basics: Actions and Triggers - ClyphX Pro Tutorial
This is a script for a video tutorial I will record and edit at a later point after my graduation concert. expect it end of June.
BASIC CONCEPT OF CLYPHX PRO
Before we get into programming a controller, you have to understand the key concept of ClyphX PRO first. Let me explain that with a simple example:
There are two elements. First, there are actions.
An action is something you want ABLETON LIVE to do. For example turning on the internal metronome. In ClyphX PRO that action is called METRO ON
.
Then, there are Triggers. A trigger is something which triggers an ACTION. For example a pad on a launchpad or scene or clip when it is launched.
In this example we stick to a clip as a trigger, which will turn on the metronome.
All you have to do is, to tell ABLETON LIVE that the clip is connected to ClyphX PRO.
This is done through the NAME of the clip. You start the clip name with two brackets ´[]´, followed by the ACTION METRO ON
When the Clip is launched, it will turn on the METRONOME.
That is about it for the start.
a deeper look into actions
Now, let's have a closer look at the ACTION METRO
. We have a look at the manual:
There is also the option to turn the metronome off with METRO OFF
If you don't specify whether it is ON or OFF and use just the command METRO
it will toggle the metronome state on or OFF. Noteworthy is how this action is described in the manual. The order in the description(middle row) is identical to the actions in the right row.
So which action would you use how? Before we get into this, let's have a look at different ways to trigger actions
Trigger Types
X-CLIP
Like shown in the example before, a clip that triggers an action is referred to X-CLIP in the manual.
X-SCENE
Very similar you can do trigger an action from a scene:
X-CUES
You can trigger an action in the arrangement if you rename the locator:
In this example the metronome will be turned on when you start the arrangement and turned off when the arrangement reaches bar 5.
X-CONTROL
An X-Control can be any external MIDI CONTROLLER. It can be connected via CC or NOTE ON/OFF messages.
E.g. You have a Behringer X-Touch mini. Let's assume, that when you press the upper left button it sends out a MIDI NOTE 40(E2) on channel 4. (This could be something else, I will show later how you do it properly.)
The format to assign a X-Control is:
NAME = TYPE, CHANNEL, NOTE_OR_CC, OFF_LED, ON_LED, ON_ACTION_LIST
To link a button to a ClyphX Pro action you have to write into the corresponding text file X-Controls.txt. To assign the METRO
command to this button you have to add this line:
example-metro-button1 = NOTE, 4, 40, 0, 127, METRO
The name of the button could be anything. However it is recommended you use a naming scheme that tells you something about the controller
Instead of
example-metro-button1 you better use:
X-touch-mini-button01 = NOTE, 4, 40, 0, 127, METRO
X-OSC
X-OSC trigger work similar to a X-Control.
With OSC you could use any tablet or phone, regardless if Android or iOS, to make a custom surface to send data to ABLETON LIVE.
e.g. You create a toggle button in TouchOSC which sends 0 or 1 on the address /metro
EXAMPLE PICTURE OF AN TOUCH OSC BUTTON
In the text file X-OSC.txt you then would add this line to toggle the METRONOME:
/metro = METRO;
Easy, right?
Now we know how we can trigger desired actions. Let's have a look at some use cases right away and turn a Behringer x-touch mini into a customised midi controller.
go to the Master Research Overview
Introduction and Overview - ClyphX Pro Tutorial
This is a script for a video tutorial I will record and edit at a later point after my graduation concert. expect it end of June.
Welcome
Hello and welcome to my series of ClyphX Pro Tutorials. My name is Schlapbe and I want to share with you my experiences and techniques with ClyphX and why I think everybody should have tried it. In my opinion it is the most useful extension for ABLETON LIVE that exists.
I am quite fond of technology and I had a very hard time getting started with ClyphX. I think it is much easier than you think, when you got the basic concept and I highly recommend you that you give it a try.
There is a free version available which has basic functionality (and you can download it here
What can it do?
More importantly, why would you need it? I'll give you some examples:
A great feature of ABLETON LIVE is the mapping function. You can map almost every parameter or function to any MIDI CONTROLLER. It can speed up your workflow a great deal and making music more intuitive, which is what we all look for, right?
Wasn't there a downside which made me stop using this feature. Mappings are stored with a project, not with the application. You can't define those controls for general use. Same goes for key-commands. You would have to make a template project from where you start. But if you add mappings etc later, you would have to re-do them on older projects. The result in my case was a total mess and chaos. I often found myself spending time to check if mappings are working and re-mapping them, instead of working on the music right away.
How awesome would it be when you have a launchpad customised to your liking and it works on any ABLETON project, regardless of previous mappings.
That is where ClyphX Pro comes in, it can do this for you. At the end of the video I give some more complex examples, but for a start, let's keep it simple.
EXAMPLE (showing a X-touch mini)
X-CLIPS:
TEMPO CHANGES with Scene triggers
MUTE TRACKS
SRECFIX
You can use the X-TOUCH to
Start/Stop, LOOP, REC, SELECT TRACKS <>, MUTE, CLICK ON/OFF, TAP TEMPO,etc…
Do you want how it is done and want try it out yourself?
Click on this next video right away and get started.
[Basic concept of CXP and get started with simple mappings]
But I want to talk about why ClyphX PRO is probably NOT the right tool for you:
- Everything is custom from the very start. There are no pre-made, ready-to-go templates etc.
- You need time to get into it and there is a learning curve for sure.
- You have to make up your mind HOW you want your workflow to be, although this could be a rewarding process in its own right as well.
- The whole package costs about 70€, so you should be sure that has enough additional benefit for you.
If:
- the mapping feature fulfills everything you could possibly wish for, re-mapping and working with template files is fine for you or
- you have a PUSH or a LAUNCHPAD and you miss nothing or
- you don't have any thought like: "It would be cool, if I could this with ABLETON LIVE with just one press of a button":
Then, It is likely you won't gain a big deal of workflow improvement. But you should try it anyway.
some of my use cases:
There are so many ways you could use the midi controller you probably already have. Let me give you some example:
- Name-based binding:
- CLICK TRACK
- KICK Track
- Drum group
- SENDS
XMODE / SHIFT functionality:
MUTE / BINDINGS
ARM
MIXER RECALL (SNAPSHOT)
LONG PRESS / FAST RELEASE:
- select scenes (FCB1010)
- record loops / stop recording
- disarm - all
go to the Master Research Overview
Morning Jam #5: Hologram Arp Stutter
another morningjam, had some fun with a dope loop created with double bass and the microcosm. feeding that into strymon delay, chase bliss reverb, ottobit and tensor is endless fun. still struggling with the video editing and stuff.
user-actions?
Ever wondered what user-actions are?
Here is a video by Stray, father of the software ClyphX Pro:
https://youtu.be/UqWX6d6A6BI